Category: Lorenzo bernini wikipedia shqip

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Lorenzo bernini wikipedia shqip

Bernini muutis skulptuuri ekspressiivsemaks, kontrastsemaks ja voolavamaks, andes paremini edasi reaalseid emotsioone ja ilmeid. Bernini disainis skulptuure, purskkaeve, hauamonumente, kirikuid, kabeleid ja palju muud.

Sellest tulenevalt lasi isa pojal valida endale meeldiva ameti. Paavst, olles teadlik Bernini teostest, palus tal teha marmorist portree endast ning neli skulptuuri oma Villa Pinciana palee jaoks. Bernini suurendas tavaliselt protsessioonidel kasutatavat baldahhiini.

lorenzo bernini wikipedia shqip

Samuti peaks kunst olema realistlik ja arusaadav rahvale. Kompositsiooni moodustamiseks liigutas Bernini Maderno kavandatud purskkaevu ning ehitas teisele poole vastu kaksikpurskkaevu. Tegu on pronksist kattega keskaegsele puust paavstitroonile. Suuremaks saavutuseks olid aga Rooma linna ehitatud purskkaevud.

Tema esimene purskkaev oli Baraccia Piazza di Spagnal — Purskkaev on segu arhitektuurist ja skulptuurist.

Gian Lorenzo Bernini

Bernini on kujutanud detailselt Daphne muutumist loorberipuuks — nahka, lehti, puukoort ja riiet. Teos on innovatsiooniline ja realistlik. Kuju sai kuninglike portreede eeskujuks terveks sajandiks. Bernini hilisemad skulptuurid pole enam nii silmapaistvad, kuid siiski huvipakkuvad. Bernini suri Allikas: Vikipeedia. See artikkel ootab keeletoimetamist. Oktoober Kui oskad, siis palun aita artiklit keeleliselt parandada. Peidetud kategooriad: Keeletoimetamist ootavad oktoober Keeletoimetamist ootavad.

Nimeruumid Artikkel Arutelu. Pildid, videod ja helifailid Commonsis: Gian Lorenzo Bernini.While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.

As an architect and city planner, he designed secular buildings, churches, chapels, and public squares, as well as massive works combining both architecture and sculpture, especially elaborate public fountains and funerary monuments and a whole series of temporary structures in stucco and wood for funerals and festivals.

His broad technical versatility, boundless compositional inventiveness and sheer skill in manipulating marble ensured that he would be considered a worthy successor of Michelangelofar outshining other sculptors of his generation. His talent extended beyond the confines of sculpture to a consideration of the setting in which it would be situated; his ability to synthesize sculpture, painting, and architecture into a coherent conceptual and visual whole has been termed by the late art historian Irving Lavin the "unity of the visual arts".

He was the sixth of their thirteen children. He was "recognized as a prodigy when he was only eight years old, [and] he was consistently encouraged by his father, Pietro.

Several extant works, dating circa —, are by general scholarly consensus, collaborative efforts by both father and son: they include the Faun Teased by Putti c. Bernini was therefore presented before Pope Paul V, curious to see if the stories about Gian Lorenzo's talent were true.

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The boy improvised a sketch of Saint Paul for the marveling pope, and this was the beginning of the pope's attention on this young talent. Once he was brought to Rome, he rarely left its walls, except much against his will for a five-month stay in Paris in the service of King Louis XIV and brief trips to nearby towns including Civitavecchia, Tivoli and Castelgandolfomostly for work-related reasons.

Bernini's works are therefore often characterized as perfect expressions of the spirit of the assertive, triumphal but self-defensive Counter Reformation Roman Catholic Church. Certainly Bernini was a man of his times and deeply religious at least later in life[8] but he and his artistic production should not be reduced simply to instruments of the papacy and its political-doctrinal programs, an impression that is at times communicated by the works of the three most eminent Bernini scholars of the previous generation, Rudolf WittkowerHoward Hibbardand Irving Lavin.

Under the patronage of the extravagantly wealthy and most powerful Cardinal Scipione Borghese, the young Bernini rapidly rose to prominence as a sculptor. Among his early works for the cardinal were decorative pieces for the garden of the Villa Borghesesuch as The Goat Amalthea with the Infant Jupiter and a Faun.

This marble sculpture executed sometime before is generally considered by scholars to be the earliest work executed entirely by Bernini himself. Although the Michelangelo statue-completion commission came to naught, the young Bernini was later engaged in circa to restore a famous work of antiquity owned by Maffeo's family, the so-called Barberini Faun now in the Glyptothek of Munich.

Earlier Bernini had also done restoration work on another famous work of antiquity the sleeping Hermaphrodite owned by Cardinal Scipione Borghese Galleria Borghese, Rome and later circa restored the so-called Ludovisi Ares Palazzo Altemps, Rome. Also dating to this early period are the so-called Damned Soul and Blessed Soul of circatwo small marble busts which may have been influenced by a set of prints by Pieter de Jode I or Karel van Mallerybut which were in fact unambiguously cataloged in the inventory of their first documented owner, Fernando de Botinete y Acevedo, as depicting a nymph and a satyr, a commonly paired duo in ancient sculpture they were not commissioned by nor ever belonged to either Scipione Borghese or, as most scholarship erroneously claims, the Spanish cleric, Pedro Foix Montoya.Giovanni Lorenzo Bernini known as Gianlorenzo Bernini was one of the greatest artists of the Italian Baroque period.

He was famous both for his sculpture and his architecture. Peter's Basilica where he designed the famous piazza place in front of the basilica and many of the most splendid things that are inside. Bernini was born in NaplesItaly.

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He was the son of Pietro Bernini who was a well known sculptor. When he was about 7 years old, his father took him to Rome. As a boy and as a young man living in Rome, he saw the works of many famous artists. He saw the famous fresco paintings on the ceiling of the Sistine Chapel by Michelangeloone of the most famous artists of the s. The paintings told the Bible story of Creation. He saw the huge dome of St.

Peter's Basilica which Michelangelo designed and the new extension to the building that was being built by Carlo Maderna. One artist who Bernini knew well was Annibale Carracci who painted scenes on the ceilings of rooms for the pope. The scenes told stories, often Ancient Roman legends. Carracci took Bernini into St. Peter's Basilica. Bernini fell on his knees and decided at that moment that he wanted to make something beautiful and splendid to honour Saint Peter.

Another artist whose work Bernini saw was Caravaggio. Caravaggio's paintings were nothing like Carracci's. Carracci's pictures were bright, lively and colourful. Caravaggio's pictures were dark, sad and often frightening. But looking into Caravaggio's paintings was like looking at something that was really happening while you were watching.

The people in Caravaggio's paintings looked as if they could breathe, speak and feel pain. By the time he was 20, Bernini was a sculptorcarving statues out of marble.

He had learnt a lot, not just how to carve marble, which he learnt from his father, but how to make figures that told stories like Carracci's and Michelangelo's and seemed to be alive, like Caravaggio's.

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An important man in the Roman Catholic ChurchCardinal Scipione Borghese, saw his work and became his patronpaying Bernini to make many beautiful sculptures for him and his family.

Soon the cardinal's uncle got to hear about Bernini. He asked Bernini to work for him at St. Bernini spent 40 years of his life there, all the time except for a trip to France and shorter visits to other cities. Most sculptures of that time were just of one figure. But Bernini had seen Michelangelo's famous sculpture of the "Pieta" which showed the Virgin Mary grieving over the body of her dead son, Jesus.

Bernini made figures that were in groups and told stories.Giovanni Lorenzo Bernini known as Gianlorenzo Bernini was one of the greatest artists of the Italian Baroque period. He was famous both for his sculpture and his architecture. Peter's Basilica where he designed the famous piazza place in front of the basilica and many of the most splendid things that are inside.

Bernini was born in NaplesItaly. He was the son of Pietro Bernini who was a well known sculptor. When he was about 7 years old, his father took him to Rome. As a boy and as a young man living in Rome, he saw the works of many famous artists. He saw the famous fresco paintings on the ceiling of the Sistine Chapel by Michelangeloone of the most famous artists of the s.

The paintings told the Bible story of Creation. He saw the huge dome of St. Peter's Basilica which Michelangelo designed and the new extension to the building that was being built by Carlo Maderna. One artist who Bernini knew well was Annibale Carracci who painted scenes on the ceilings of rooms for the pope. The scenes told stories, often Ancient Roman legends. Carracci took Bernini into St. Peter's Basilica. Bernini fell on his knees and decided at that moment that he wanted to make something beautiful and splendid to honour Saint Peter.

Another artist whose work Bernini saw was Caravaggio. Caravaggio's paintings were nothing like Carracci's. Carracci's pictures were bright, lively and colourful.

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Caravaggio's pictures were dark, sad and often frightening. But looking into Caravaggio's paintings was like looking at something that was really happening while you were watching. The people in Caravaggio's paintings looked as if they could breathe, speak and feel pain. By the time he was 20, Bernini was a sculptorcarving statues out of marble.Click on this photo to see the new CSRCB website.

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lorenzo bernini wikipedia shqip

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Giovanni Lorenzo Bernini

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This is the date and time in which the logistic regression was updated with microsecond precision. Statistical tests to assess the quality of the model's fit to the data.

This makes each field have roughly equivalent influence. Example: true category optional The category that best describes the cluster.

G-means iteratively takes existing clusters and tests whether the cluster's neighborhood appears Gaussian. If it doesn't the cluster is split into two. The default is to 5, which seems to work well in most cases. A range of 1 - 10 is acceptable. Specifies the fields that won't be included in the cluster. Example: true name optional The name you want to give to the new cluster.

Example: l1 replacement optional Whether sampling should be performed with or without replacement. A dictionary that maps cluster ids to dataset resources offering per field distribution summaries for each cluster. Each dataset resource can be serialized on-demand using the neighborhood of the cluster. With no seed, the cluster locations can vary from run to run.

With a seed, the clusters are deterministic. All the information that you need to recreate or use the cluster on your own. It includes: clusters: a list of centroids with a cluster object for each centroid.

It also contains the distance distribution of the entire dataset to that center. This will be 201 upon successful creation of the cluster and 200 afterwards. Make sure that you check the code that comes with the status attribute to make sure that the cluster creation has been completed without errors.

lorenzo bernini wikipedia shqip

This is the date and time in which the cluster was created with microsecond precision. In a future version, you will be able to share clusters with other co-workers or, if desired, make them publicly available. This is the date and time in which the cluster was updated with microsecond precision. A dictionary that gives a numeric summary capturing the distribution of distances from the cluster's center to each of the points that fall into its neighborhood. A status code that reflects the status of the cluster creation.

Example: "My Seed" category optional The category that best describes the anomaly detector. Example: 1 constraints optional An experimental option which adds more predicates to each node in the tree.

These predicates help capture expectations about the data, making the tree more sensitive to anomalies. This option tends to inflate the anomaly scores and requires more CPU time to build and evaluate. However, it also seems to make the trees more effective at flagging anomalous data that was not in the training set.

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It also seems to improve the forests effectiveness on categorical data. Specifies the fields that won't be included in the anomaly detector. Example: "MySample" tags optional A list of strings that help classify and index your anomaly detector. Example: 256 With no seed, the anomaly detector locations can vary from run to run. With a seed, the anomaly detectors are deterministic.

This will be 201 upon successful creation of the anomaly detector and 200 afterwards. Make sure that you check the code that comes with the status attribute to make sure that the anomaly detector creation has been completed without errors.


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